Modern Chinese Fashion Research Paper Example | Topics and Well Written Essays - 1000 words

Modern Chinese Fashion - Research Paper ExampleThe paper Modern Chinese Fashion focuses on unexampled Chinese mould and is basically meant to discuss the changing fashion patterns seen at festivals and traditions, how traditional and festive Chinese clothing differ from each other, mainstream Chinese fashion designers, best-selling(predicate) ready trends, and how wealth produces influence on the type of clothes worn by the Chinese people. Integrating the seminal and priceless knowledge gained from places which are considered to be centers of fashion like New York, Paris, and Milan in the native establishment to create modern clothes sensitively customized to the culture of mainland China is not an easy challenge to fulfill. Chinese fashion designers are astute and sensitive enough to acknowledge the changing economical trends in the orbit and design their clothes while keeping the national economical state of the country in their minds so that everyone would be able to wear s tylish clothes irrespective of class difference. Basic Chinese fashion elements derive from the Tang and Song dynasties and Shiatzy Chen is one such fashion label in China run by Wang Chen which relies heavily on materials such as silk and satin. In words of Chen, I wanted to create something that reflects Chinese culture, yet manages to achieve global recognition a brand that would tell on China proud. Class difference, though not as pronounced now as it was previously in Chinese clothing, also presents challenges for Chinese fashion designers on some levels. In the past, these elements of class difference.... tone do by clothes between rich and poor was undeniably so obvious in the ancient China as compared to the modern China that no one could possibly remain abstracted to it. The wealthy members of the society were identified by the richness reflecting from their royal clothes which were almost always made out of silk, while the middle class and poor people relied on wearin g very uncomplicated clothes made out of cotton. But irrespective of past and modern times, silk has throughout served as a resolute status symbol in the Chinese society and has always remained the material of woof to be worn for the rich and elite Chinese people in traditional terms. It is also the general consensus among the Chinese people, fashion designers, and critics that silk has a wide range of application in both festive and ordinary clothing. From beingness integrated in womens blouses and scarves to mens dress shirts and ties, silk is recognized as the material of choice for the fashion designers too who design clothes in accordance with common publics demands and tastes. The modern Chinese fashion wear largely refines the more conventional clothing approach as seen in old Chinese pictures and present day popular trends can also be considered as a major reflection of orthodox dressing trends. In the ancient days during the Tang and Song dynasties, fabrics popular in Ch ina were gauze, damask, crepe, and brocade (Csanyi). Women wore loose robes with long sleeves and used decorative cloth on the spurn hems (Hua 16). Incorporation of classic Chinese symbols in the clothing is vividly apparent in the ancient Chinese clothing culture. To the present day clothing culture, symbolism still serves as one of the primarily most-valuable elements considered by the fashion designers while designing